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9A0-060 PDF DEMO:

QUESTION NO: 1
You want to create the effect of a magician waving a magic wand through the air so that you can attach an effect to the tip of the wand. You have appropriate footage but did NOT mark the effect point prior to shooting. The black wand has a white tip and you decide to use the footage as is. You track the motion and notice that even though the tip of the wand is visible throughout the shot, the track point drifts from the tip point of the wand. You also notice that the footage is grainy in some areas.
What should you do?
A. reshoot the footage after first attaching a brightly colored ping pong ball to the tip of the wand
B. drag the current time indicator to the last well-tracked frame; in the Tracker Controls panel click on
Options; in the Motion Tracker Options dialog box under Channel, select RGB; click OK in the Motion
Tracker Options dialog box; click Analyze Forward or Analyze Backward
C. drag the current time indicator to the last well-tracked frame; in the Tracker Controls panel click on
Options; in the Motion Tracker Options dialog box under Channel, select Saturation; click OK in the
Motion Tracker Options dialog box; click Analyze Forward or Analyze Backward
D. drag the current time indicator to the last well-tracked frame; in the Tracker Controls panel click on
Options; in the Motion Tracker Options dialog box, select Process before Match; click Blur; type a value of
2 to 3 pixels; click OK in the Motion Tracker Options dialog box; click Analyze Forward or Analyze
Backward
Answer: D

QUESTION NO: 2
You have taken video of a person examining a 2 X 2 foot piece of cardboard to which you have pasted bright yellow ping pong balls at each of the corners. This person is moving the cardboard as they examine it. You want to track the motion of the cardboard so that you can play a movie in its place. Which Track type should you select from the Tracker Controls panel?
A. Stabilize
B. Transform
C. Parallel Corner Pin
D. Perspective Corner Pin
Answer: D

QUESTION NO: 3
You create a composition that contains a video footage layer of a specific play in a football game. You want to adjust both playback speed and direction and add audio commentary. The output will be a DVD.
You enable time remapping for the video layer and notice that in the places the video has been stretched, the action appears jerky.
What should you do?
A. choose Effect > Time > Timewarp; under the Timewarp pulldown, select Whole Frames; under the
Tuning pulldown, set keyframes for Vector Detail
B. choose Layer > Frame Blending > Frame Mix; set the quality setting to Draft quality for the layer; enable the Frame Blend switch in the Timeline panel
C. choose Effect > Time > Timewarp; under the Motion Blur option, turn on Enable Motion Blur; select
Manual from the Shutter Control pulldown; set keyframes for Shutter Angle and Shutter Samples
D. choose Layer > Frame Blending > Pixel Motion; set the quality setting to Draft quality in the switches column of the Timeline panel; enable Motion Blur for the layer; enable the Motion Blur and Frame Blend switch in the Timeline panel
Answer: B

QUESTION NO: 4
When should you use the Pixel Motion layer switch?
A. when you want to improve the look of a layer's Motion Blur
B. when you are time stretching video footage and want the motion to appear smooth
C. when you are using compressed video and want to avoid pixelation caused by compression artifacts
D. when you are time re-mapping a nested composition and want the motion to appear stepped instead of re-interpolated
Answer: B

QUESTION NO: 5
When should you use Frame-Mix method of frame blending?
A. when you want to speed up render time at the cost of lower quality Motion Blur
B. when you have interpreted your footage at double its frame rate and want to keep the motion smooth
C. when you are time stretching video footage and want to use motion vectors to smooth out the motion
D. when you are time-stretching video footage, and want to create interim frames during repeated footage frames
Answer: D

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Updated: May 27, 2022